I like to think of my work as a choral narration, a plot of images that holds together many stories side by side, interlaced, even perhaps here and there conflicting with each other. II always take on very different topics, I proceed with the system of communicating vessels between the various fields of photography, I invade into the world of fashion and I am deeply touched by portraits. I have an omnivorous curiosity: everything seduces me, everything interests me, everything hurts me. Therefore, every photograph is a declaration of love, a deep love for the subject I choose to tell. But like any declaration of love it can not be repeated. Therefore you have to find the right words, the right angle, the tone, the certainty: in the name of loyalty to my subject each time I change approach. The turnarounds, the metamorphosis, the changes of form and structure are the way to proceed. Not because of an artist volubility, but for the need to find the appropriate way of expressing the idea, of making it visible.
And this because I am convinced that for every story you want to tell, for each concept you want to express, there is somewhere a form – and only one – waiting to become a container and a medium, to become a form in which to organize the idea. It might be a romantic thought, but it is inextricably linked to my way of photographing. Therefore, every project that I undertake is linked to, first and foremost, to a mental and emotional point of view beyond a new, formal and unique one. And yet I see profound unity in what I do: a common thread that binds all my projects plans, and so in the end, just a how the assonances in a nursery rhyme create a partial identity of sound between two or more lines, my projects have recurring elements that always result in a partial identity of form and vision, they are a nursery rhymes in images. I love to think of them in this way. Because in the end I always do the same photo: a delicate image, seemingly inoffensive, always on tiptoe. But I find it curious that seemingly innocent images turn out to be full of feelings, somehow ready to explode, emerging to the surface of the viewer’s mind after a long time as questions.
Alice Pavesi Fiori

She was born in 1984 in Parma, where she currently resides. In 2006 she graduated in Photography at the European Institute of Design in Milan and became a member of the National Order of Journalists. She is an independent author, who works mainly on personal projects regarding portraits both for social documentary and for fashion. This choice is largely dictated by a profound interest for the human being, for the stories, real or imagined, that each individual brings with himself and for the biographies that lay behind faces. She shoots with old analogic cameras and with films that are very hard to find which she personally searches for look Central Asia and Eastern Europe. Her images are born from her passion for the story of real or dreamed worlds, and sometimes her stories become even written texts or newpaper articles. Over the years she received many awards and mentions for her works, including the Canon Prize for Young Photographers, the Sony World Photography Award, the International Photography Award, the Taylor Wessing Photographic Portrait Prize, the Nikon Talent Award. Her photos were published, among others, on Sunday Times Magazine, Vanity Fair, The New York Times, The International Herald Tribune, Io Donna, Sette. Her work is distributed by Luz Photo Agency.
cm 23,5 x 28,5
Edition 1 of 5
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cm 23,5 x 28,5
Edition 1 of 5
I would like to receive more information about this artwork
cm 23,5 x 28,5
Edition 1 of 5
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cm 23,5 x 28,5
Edition 1 of 5
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cm 23,5 x 28,5
Edition 1 of 5
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cm 23,5 x 28,5
Edition 1 of 5
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Signed by the author on prints I and VI
Edition 1 of 2
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cm 27 x 27
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cm 27 x 27
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cm 27 x 27
Edition 1 of 5
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cm 27 x 27
Edition 1 of 5
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cm 27 x 27
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cm 27 x 27
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cm 27 x 27
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cm 27 x 27
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cm 27 x 27
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9 prints, cm 27 x 27 numbered from I to IX
Signed by the author on prints I and IX
Edition 1 of 2
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